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This is the default system page for microtonal - Sat Dec 14 0:47:14 UTC 2024.
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Welcome. The website you are requesting is currently offline, suspended or unresponsive to your access request. The possible causes include the resource remaining unconfigured and/or your address range being banned due to WAF and CDN settings. For security reasons, we cannot provide further server system status data in this document. This default system page is, however, capable of providing various client-side diagnostic information regarding ip address, device fingerprint, document keyword and whois data utilized in this session to ease debug operations and error reporting.
If you are an authorized user of the resource, please contact us quoting your VPN or Kerberos credentials to verify whether your account has been suspended and why (eg, overdue payment, reported abuse). In general, in order to report issues or ask questions, please send your mails to the user 'HELLO' of the base domain of this website. For example if the current page is 'www.subdomain.website.tld/somepage.html', you will send your question to HELLO [*] WEBSITE . TLD . Kindly remind that the correct address will not be explicitly written as countermeasure against mail harversting spambots.
Please notice: in order for us to process your query, you will need to include in your mail not only the page you were visiting but also a copy/paste report of the FINGERPRINT and ADDRESS output of this page (select the proper buttons one per time and click 'CTRL + A' and after 'CTRL + C' on most computers to select all and copy the data in the clipboard). In alternative you can also 'PRINT AS PDF' the whole document and send it as attachment in your properly addressed e-mail. Thank you.
KEYWORD
The current keywords are:
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The current keywords are:
microtonal
Main definition for Main Keyword.
Exploring Microtonality: The rich world beyond the western Scale
microtonality refers to the use of musical intervals smaller than the conventional semitone, allowing for a vast array of pitches and tonalities that lie outside the established frameworks of western music. while traditional western music primarily utilizes a twelve-tone equal temperament system, which divides the octave into twelve equally spaced pitches, many cultures and musical traditions around the world embrace microtonal scales that offer enhanced expressiveness and complexity.
historical Context
microtonal music is not a contemporary development; it has deep roots in various musical traditions. For instance, many middle eastern, indian, and east asian cultures incorporate microtonal intervals into their music, using scales that can include numerous pitches within a single octave, often characterized by quarter tones or even smaller divisions. In indian classical music, for example, the concept of raga encompasses numerous microtonal variations, where performers often bend notes in ways that evoke specific emotional responses.
theoretical Foundations
microtonality operates on a fundamental assumption: that our perception of pitch is not solely limited to the intervals of western tuning systems. theoretical frameworks surrounding microtonal music often include just intonation, meantone temperament, and other alternative tuning systems that employ ratios of frequencies rather than equal divisions. these approaches can create harmonies and dissonances not possible within traditional western frameworks, inviting composers and performers to explore new sonic territories.
contemporary microtonal Music
In recent decades, interest in microtonal music has surged, giving rise to a vibrant community of composers and musicians who actively explore these unconventional soundscapes. instruments like the microtonal guitar, quarter-tone pianos, and custom synthesizers have facilitated the performance of microtonal compositions, while software programs enable composers to easily notate and manipulate microtonal music.
prominent microtonal musicians such as jacob collier, who masterfully blends jazz, pop, and world music influences, and composers like tōru takemitsu and harry partch, who pioneered their own unique systems and instruments, demonstrate the potential of microtonality to expand musical expression. additionally, artists within genres like progressive rock and electronic music often infuse microtonal elements to create distinctive auditory experiences.
cultural Significance
microtonality also plays a crucial role in cultural identity and heritage. In many non-western musical traditions, the spacing of notes and the use of specific microtonal scales serve not just as aesthetic choices but also as cultural expressions steeped in history and tradition. By engaging with microtonal music, listeners and performers can connect more deeply with diverse cultural narratives and broaden their understanding of music as a universal language.
challenges and Innovations
while the exploration of microtonality presents exciting possibilities, it also comes with challenges. The predominance of western music education and the dominance of western instruments in popular music can create barriers for artists seeking to explore microtonal music. furthermore, notation and performance practices for microtonal music are still being developed, requiring innovative solutions that push the boundaries of conventional music theory.
Conclusion
The world of microtonality offers a rich and diverse palette of sound that challenges our perceptions of music and expands our artistic horizons. As musicians continue to push the boundaries of tuning systems and explore the emotional impact of these smaller intervals, microtonality will likely become increasingly integrated into contemporary music. By fostering an appreciation for microtonal music, we not only celebrate the vastness of human creativity but also promote an inclusive understanding of music that transcends cultural and stylistic boundaries.
##############
possible meanings of microtonal.org
1. conceptual Meaning: microtonality Microtonality refers to the use of intervals smaller than the conventional semitones found in western music. this concept is significant in various musical traditions around the world, including indian classical music, arabic music, and contemporary experimental music. The term “microtonal” can also relate to the exploration of new musical scales and tunings that challenge traditional western harmonic structures.
2. technological implications In a technological context, microtonal.org could represent a platform or resource dedicated to software and tools for creating microtonal music. this could include synthesizers, digital audio workstations (daws), plugins, and educational resources aimed at musicians interested in exploring microtonal compositions.
3. brand potential As a brand name, microtonal.org has strong potential for a company focused on niche markets within the music industry. It could serve as an online community or marketplace for artists, educators, and enthusiasts who are passionate about microtonality. The name suggests expertise and specialization, which could attract users looking for specific resources related to this unique aspect of music.
4. neologism usage The term “microtonal” itself can be seen as a neologism within certain contexts, especially as it gains traction in modern music discourse. A website named microtonal.org could leverage this by providing innovative content such as articles, tutorials, and forums discussing new developments in microtonal theory and practice.
5. scientific context In scientific terms, microtones can be studied through acoustics and psychoacoustics—fields that examine how humans perceive sound frequencies and intervals. A website with this name might also delve into research findings related to sound perception and its implications for music theory.
6. historical context historically, various cultures have utilized microtones long before they were formally recognized in western music theory. A site like microtonal.org could explore these historical practices and their relevance today.
verification of past websites A search for past websites using the domain name “microtonal.org” indicates that there have been instances where this domain was registered but may not have had significant content or presence over time. As of now, it appears that there is no active website under this domain; however, it remains available for potential registration.
In summary, microtonal.org holds multifaceted meanings across various domains including musical concepts, technology applications, branding opportunities within niche markets, scientific studies on sound perception, and historical explorations of musical practices.
microtonality refers to the use of musical intervals smaller than the conventional semitone, allowing for a vast array of pitches and tonalities that lie outside the established frameworks of western music. while traditional western music primarily utilizes a twelve-tone equal temperament system, which divides the octave into twelve equally spaced pitches, many cultures and musical traditions around the world embrace microtonal scales that offer enhanced expressiveness and complexity.
historical Context
microtonal music is not a contemporary development; it has deep roots in various musical traditions. For instance, many middle eastern, indian, and east asian cultures incorporate microtonal intervals into their music, using scales that can include numerous pitches within a single octave, often characterized by quarter tones or even smaller divisions. In indian classical music, for example, the concept of raga encompasses numerous microtonal variations, where performers often bend notes in ways that evoke specific emotional responses.
theoretical Foundations
microtonality operates on a fundamental assumption: that our perception of pitch is not solely limited to the intervals of western tuning systems. theoretical frameworks surrounding microtonal music often include just intonation, meantone temperament, and other alternative tuning systems that employ ratios of frequencies rather than equal divisions. these approaches can create harmonies and dissonances not possible within traditional western frameworks, inviting composers and performers to explore new sonic territories.
contemporary microtonal Music
In recent decades, interest in microtonal music has surged, giving rise to a vibrant community of composers and musicians who actively explore these unconventional soundscapes. instruments like the microtonal guitar, quarter-tone pianos, and custom synthesizers have facilitated the performance of microtonal compositions, while software programs enable composers to easily notate and manipulate microtonal music.
prominent microtonal musicians such as jacob collier, who masterfully blends jazz, pop, and world music influences, and composers like tōru takemitsu and harry partch, who pioneered their own unique systems and instruments, demonstrate the potential of microtonality to expand musical expression. additionally, artists within genres like progressive rock and electronic music often infuse microtonal elements to create distinctive auditory experiences.
cultural Significance
microtonality also plays a crucial role in cultural identity and heritage. In many non-western musical traditions, the spacing of notes and the use of specific microtonal scales serve not just as aesthetic choices but also as cultural expressions steeped in history and tradition. By engaging with microtonal music, listeners and performers can connect more deeply with diverse cultural narratives and broaden their understanding of music as a universal language.
challenges and Innovations
while the exploration of microtonality presents exciting possibilities, it also comes with challenges. The predominance of western music education and the dominance of western instruments in popular music can create barriers for artists seeking to explore microtonal music. furthermore, notation and performance practices for microtonal music are still being developed, requiring innovative solutions that push the boundaries of conventional music theory.
Conclusion
The world of microtonality offers a rich and diverse palette of sound that challenges our perceptions of music and expands our artistic horizons. As musicians continue to push the boundaries of tuning systems and explore the emotional impact of these smaller intervals, microtonality will likely become increasingly integrated into contemporary music. By fostering an appreciation for microtonal music, we not only celebrate the vastness of human creativity but also promote an inclusive understanding of music that transcends cultural and stylistic boundaries.
##############
possible meanings of microtonal.org
1. conceptual Meaning: microtonality Microtonality refers to the use of intervals smaller than the conventional semitones found in western music. this concept is significant in various musical traditions around the world, including indian classical music, arabic music, and contemporary experimental music. The term “microtonal” can also relate to the exploration of new musical scales and tunings that challenge traditional western harmonic structures.
2. technological implications In a technological context, microtonal.org could represent a platform or resource dedicated to software and tools for creating microtonal music. this could include synthesizers, digital audio workstations (daws), plugins, and educational resources aimed at musicians interested in exploring microtonal compositions.
3. brand potential As a brand name, microtonal.org has strong potential for a company focused on niche markets within the music industry. It could serve as an online community or marketplace for artists, educators, and enthusiasts who are passionate about microtonality. The name suggests expertise and specialization, which could attract users looking for specific resources related to this unique aspect of music.
4. neologism usage The term “microtonal” itself can be seen as a neologism within certain contexts, especially as it gains traction in modern music discourse. A website named microtonal.org could leverage this by providing innovative content such as articles, tutorials, and forums discussing new developments in microtonal theory and practice.
5. scientific context In scientific terms, microtones can be studied through acoustics and psychoacoustics—fields that examine how humans perceive sound frequencies and intervals. A website with this name might also delve into research findings related to sound perception and its implications for music theory.
6. historical context historically, various cultures have utilized microtones long before they were formally recognized in western music theory. A site like microtonal.org could explore these historical practices and their relevance today.
verification of past websites A search for past websites using the domain name “microtonal.org” indicates that there have been instances where this domain was registered but may not have had significant content or presence over time. As of now, it appears that there is no active website under this domain; however, it remains available for potential registration.
In summary, microtonal.org holds multifaceted meanings across various domains including musical concepts, technology applications, branding opportunities within niche markets, scientific studies on sound perception, and historical explorations of musical practices.
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WHOIS
Whois data regarding your ip address:
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Whois data regarding your ip address:
WHOIS FOR IP (18.97.14.87 )
ADDRESS
Ip address and related dns used for your connection:
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Ip address and related dns used for your connection:
IP : 18.97.14.87
TRACERT:
traceroute to 18.97.14.87 (18.97.14.87), 30 hops max, 60 byte packets 1 100.100.1.1 (100.100.1.1) 0.457 ms 0.415 ms 0.405 ms 2 100.88.255.254 (100.88.255.254) 8.232 ms 27.331 ms 27.332 ms 3 10.255.254.10 (10.255.254.10) 20.729 ms * 20.732 ms 4 10.255.254.1 (10.255.254.1) 0.830 ms 0.834 ms 10.255.254.2 (10.255.254.2) 0.670 ms 5 10.255.200.36 (10.255.200.36) 8.779 ms 8.758 ms 8.708 ms 6 * * * 7 be4649.ccr22.sto03.atlas.cogentco.com (130.117.3.130) 29.710 ms 29.805 ms be4593.ccr21.sto03.atlas.cogentco.com (154.54.75.86) 31.889 ms 8 be2555.rcr21.cph01.atlas.cogentco.com (154.54.61.237) 38.720 ms be2557.rcr21.cph01.atlas.cogentco.com (154.54.61.241) 42.108 ms be2555.rcr21.cph01.atlas.cogentco.com (154.54.61.237) 39.540 ms 9 be2504.ccr42.ham01.atlas.cogentco.com (154.54.61.229) 46.184 ms be2496.ccr41.ham01.atlas.cogentco.com (154.54.61.221) 44.222 ms be2504.ccr42.ham01.atlas.cogentco.com (154.54.61.229) 47.255 ms 10 be2815.ccr41.ams03.atlas.cogentco.com (154.54.38.205) 52.945 ms 54.158 ms 53.112 ms 11 be2183.ccr22.lpl01.atlas.cogentco.com (154.54.58.69) 62.761 ms 62.570 ms 64.440 ms 12 be3042.ccr21.ymq01.atlas.cogentco.com (154.54.44.162) 134.175 ms be3043.ccr22.ymq01.atlas.cogentco.com (154.54.44.166) 132.361 ms 130.714 ms 13 be2089.rcr21.ymq02.atlas.cogentco.com (154.54.45.114) 132.034 ms 133.391 ms 133.286 ms 14 38.104.155.194 (38.104.155.194) 131.530 ms * * 15 150.222.109.125 (150.222.109.125) 131.204 ms * 150.222.109.121 (150.222.109.121) 135.563 ms 16 * * 52.94.81.215 (52.94.81.215) 133.989 ms 17 * * * 18 * * * 19 * * * 20 * * * 21 * * * 22 * * * 23 * * * 24 * * * 25 * * * 26 * * * 27 * * * 28 * * * 29 * * * 30 * * *
RDNS: 18-97-14-87.crawl.commoncrawl.org
DNS RECORDS:
; <<>> DiG 9.11.5-P4-5.1+deb10u11-Debian <<>> A 18-97-14-87.crawl.commoncrawl.org ;; global options: +cmd ;; Got answer: ;; ->>HEADER<<- opcode: QUERY, status: NOERROR, id: 35869 ;; flags: qr rd ra; QUERY: 1, ANSWER: 1, AUTHORITY: 0, ADDITIONAL: 1 ;; OPT PSEUDOSECTION: ; EDNS: version: 0, flags:; udp: 1232 ; COOKIE: d5f62aabf45601e63760dbfad8891b5fb0397edd65a11ae887b3a7cda889178ed59df70498299871 (good) ;; QUESTION SECTION: ;18-97-14-87.crawl.commoncrawl.org. IN A ;; ANSWER SECTION: 18-97-14-87.crawl.commoncrawl.org. 300 IN A 18.97.14.87 ;; Query time: 75 msec ;; SERVER: 77.87.212.14#53(77.87.212.14) ;; WHEN: Sat Dec 14 00:47:33 UTC 2024 ;; MSG SIZE rcvd: 122 ; <<>> DiG 9.11.5-P4-5.1+deb10u11-Debian <<>> NS 18-97-14-87.crawl.commoncrawl.org ;; global options: +cmd ;; Got answer: ;; ->>HEADER<<- opcode: QUERY, status: NOERROR, id: 12100 ;; flags: qr rd ra; QUERY: 1, ANSWER: 0, AUTHORITY: 1, ADDITIONAL: 1 ;; OPT PSEUDOSECTION: ; EDNS: version: 0, flags:; udp: 1232 ; COOKIE: 6d33a65dd79a0c4678083d60c4ce181e0edb598e2080c6844ca439892318532e0f12975882c8775b (good) ;; QUESTION SECTION: ;18-97-14-87.crawl.commoncrawl.org. IN NS ;; AUTHORITY SECTION: commoncrawl.org. 1800 IN SOA jim.ns.cloudflare.com. dns.cloudflare.com. 2358388603 10000 2400 604800 1800 ;; Query time: 33 msec ;; SERVER: 77.87.212.14#53(77.87.212.14) ;; WHEN: Sat Dec 14 00:47:33 UTC 2024 ;; MSG SIZE rcvd: 167 ; <<>> DiG 9.11.5-P4-5.1+deb10u11-Debian <<>> CNAME 18-97-14-87.crawl.commoncrawl.org ;; global options: +cmd ;; Got answer: ;; ->>HEADER<<- opcode: QUERY, status: NOERROR, id: 26876 ;; flags: qr rd ra; QUERY: 1, ANSWER: 0, AUTHORITY: 1, ADDITIONAL: 1 ;; OPT PSEUDOSECTION: ; EDNS: version: 0, flags:; udp: 1232 ; COOKIE: 5144ff7ddefe58631e7e8985bb3332c1b3d889387bd995012ddb381ff40e740396d7a40468f4b22f (good) ;; QUESTION SECTION: ;18-97-14-87.crawl.commoncrawl.org. IN CNAME ;; AUTHORITY SECTION: commoncrawl.org. 1800 IN SOA jim.ns.cloudflare.com. dns.cloudflare.com. 2358388603 10000 2400 604800 1800 ;; Query time: 34 msec ;; SERVER: 77.87.212.14#53(77.87.212.14) ;; WHEN: Sat Dec 14 00:47:33 UTC 2024 ;; MSG SIZE rcvd: 167 ; <<>> DiG 9.11.5-P4-5.1+deb10u11-Debian <<>> MX 18-97-14-87.crawl.commoncrawl.org ;; global options: +cmd ;; Got answer: ;; ->>HEADER<<- opcode: QUERY, status: NOERROR, id: 63607 ;; flags: qr rd ra; QUERY: 1, ANSWER: 0, AUTHORITY: 1, ADDITIONAL: 1 ;; OPT PSEUDOSECTION: ; EDNS: version: 0, flags:; udp: 1232 ; COOKIE: e78c45a175c85fefd8d3549343c636b6bbf44b1b942aef1a628f18dfa15fe3f175255f8e18e04354 (good) ;; QUESTION SECTION: ;18-97-14-87.crawl.commoncrawl.org. IN MX ;; AUTHORITY SECTION: commoncrawl.org. 1800 IN SOA jim.ns.cloudflare.com. dns.cloudflare.com. 2358388603 10000 2400 604800 1800 ;; Query time: 34 msec ;; SERVER: 77.87.212.14#53(77.87.212.14) ;; WHEN: Sat Dec 14 00:47:33 UTC 2024 ;; MSG SIZE rcvd: 167 ; <<>> DiG 9.11.5-P4-5.1+deb10u11-Debian <<>> PTR 18-97-14-87.crawl.commoncrawl.org ;; global options: +cmd ;; Got answer: ;; ->>HEADER<<- opcode: QUERY, status: NOERROR, id: 21423 ;; flags: qr rd ra; QUERY: 1, ANSWER: 0, AUTHORITY: 1, ADDITIONAL: 1 ;; OPT PSEUDOSECTION: ; EDNS: version: 0, flags:; udp: 1232 ; COOKIE: cc7adf2ccf1c018495679de523d52ba06380d1e5ae22d9b7472e0b7c78fff9c7ebf16b6d26501d8d (good) ;; QUESTION SECTION: ;18-97-14-87.crawl.commoncrawl.org. IN PTR ;; AUTHORITY SECTION: commoncrawl.org. 1800 IN SOA jim.ns.cloudflare.com. dns.cloudflare.com. 2358388603 10000 2400 604800 1800 ;; Query time: 58 msec ;; SERVER: 77.87.212.14#53(77.87.212.14) ;; WHEN: Sat Dec 14 00:47:33 UTC 2024 ;; MSG SIZE rcvd: 167 ; <<>> DiG 9.11.5-P4-5.1+deb10u11-Debian <<>> SOA 18-97-14-87.crawl.commoncrawl.org ;; global options: +cmd ;; Got answer: ;; ->>HEADER<<- opcode: QUERY, status: NOERROR, id: 58236 ;; flags: qr rd ra; QUERY: 1, ANSWER: 0, AUTHORITY: 1, ADDITIONAL: 1 ;; OPT PSEUDOSECTION: ; EDNS: version: 0, flags:; udp: 1232 ; COOKIE: e894ce5da958b151e76832cc3178fbf1e3b01cb8ae70cf439fb5b74ebc2cf34736810bff67a60485 (good) ;; QUESTION SECTION: ;18-97-14-87.crawl.commoncrawl.org. IN SOA ;; AUTHORITY SECTION: commoncrawl.org. 1800 IN SOA jim.ns.cloudflare.com. dns.cloudflare.com. 2358388603 10000 2400 604800 1800 ;; Query time: 32 msec ;; SERVER: 77.87.212.14#53(77.87.212.14) ;; WHEN: Sat Dec 14 00:47:33 UTC 2024 ;; MSG SIZE rcvd: 167
IP : 18.97.14.87
Ping speed: Client to Server; Server to Client.
SECURITY & PRIVACY
We will test your system to assess the privacy level in terms of DNS, Ports, WebRtc, Plugins, Blacklists
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We will test your system to assess the privacy level in terms of DNS, Ports, WebRtc, Plugins, Blacklists
DNS servers used for queries by 18.97.14.87(18-97-14-87.crawl.commoncrawl.org)
Detailed IP reputation data for : 18.97.14.87(18-97-14-87.crawl.commoncrawl.org)
Extended Blacklist Results for: 18.97.14.87(18-97-14-87.crawl.commoncrawl.org)
Results of port scanning for common services on : 18.97.14.87(18-97-14-87.crawl.commoncrawl.org)
Detailed connection data for : 18.97.14.87(18-97-14-87.crawl.commoncrawl.org)
Array
(
[0] =>
)
WebRtc Ipv4 usage results for: 18.97.14.87(18-97-14-87.crawl.commoncrawl.org)
DEVICE
Device fingerprint and browser data regarding this session:
Device fingerprint and browser data regarding this session:
________________
IP GEOLOCATION TIME : Fri Dec 13 19:47:38 EST 2024 America/New_York (us)
________________
http_accept_encoding:
br,gzip
________________
http_accept_language:
en-US,en;q=0.5
________________
http_accept:
text/html,application/xhtml+xml,application/xml;q=0.9,*/*;q=0.8
________________
http_useragent:
CCBot/2.0 (https://commoncrawl.org/faq/)
________________
The page provides InfoSec Help for 18.97.14.87.